Press Articles
& Downloads
San Diego City Beat - Our picks of this week's events
8 Jan 2008 by Kinsee Morlan and friends
NIGHTLIFE
Mash it up
There have been some recent backlashes against what people in the music world call “mashups,” but don’t let that deter you, my friends. Yes, blending songs together until they become one entirely new, funkier and more danceable song has been done and done again, but that doesn’t mean they’re not interesting. Be a rebel, be a trouper, or, better yet, be an admitted fan and stop in at Confidential, 901 Fourth Ave., Downtown, for a magical blend of scratching, remixing, funk, soul, hip-hop and good ol’ rock ’n’ roll by Bay Area mashup master DJ Solomon. The set starts after 9 p.m. Saturday, Jan. 12. www.confidentialsd.com or 619-696-8888.
This article can be seen online Here!
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San Francisco Bay Guardian - Careers and Ed: Paid to party
8 Aug 2007 by Molly Freedenberg
For some of us, playing is an escape from work. But for a lucky few, playing is their work. Sound like fun? It is, say the professional partyers we interviewed. But it's still ... well ... work. Below are full interviews with Juanita More, Justin Morgan, DJ Solomon, Nicole Cronin, Andie Grace, Lisa Hix, and Syd Gris -- all people whose job it is to make you forget yours.
...
DJ SOLOMON
www.djsolomon.net
www.myspace.com/djsolomon
San Francisco Bay Guardian: What do you do and what are your primary duties?
DJ Solomon: I am a full time DJ. I have been the Resident DJ for the Golden State Warriors NBA team for the past 7 years. I have worked in almost every venue in San Francisco, and aside from San Francisco nightclubs, I work all over the West coast; I regularly play in San Diego, Las Vegas, Sacramento, and Phoenix, and recently played in Miami, New York, Chicago, Detroit, and even Macau China.
SFBG: Is this your primary form of income? If not, how else do you make money?
DS: This is my primary form of income.
SFBG: What's the best part of your job?
DS: Im making people feel good through music. Music is probably the most universal language on the planet and I am able to bring joy and happiness to people through an artistic expression I love.
SFBG: What's the worst/most challenging part of your job?
DS: The most challenging part of my job is probably trying to keep myself inspired about what i do. I try to take my work very seriously (i.e. no drinking on the job), and spending countless hours in a bar/nightclub with drunk people can get very old. It is challenging to keep my job fresh and exciting, and I am constantly trying to take on new venues in new cities to provide an evolving atmosphere for what I am doing.
SFBG: What are the most common misconceptions about what you do?
DS: That I dont do anything during the day, as if my schedule magically books itself and theres no background work that goes into keeping a busy and successful DJ schedule. I am constantly on the phone and computer, planning and arranging gigs and coordinating with my agent. Its kind of like having a day job and a night job all at once.
SFBG: How'd you get started doing this?
DS: I've been a musician from a very young age. I used to watch YO MTV Raps" when I was 10-years-old and thought the DJ was the coolest gig ever. I even went so far as to DJ my 7th and 8th grade dances with a tape deck and CD player. I later got into the turntable side of DJing when I was about 16. When my older brother inherited a set of turntables, I spent every free moment at his house practicing and making mix tapes. Fast foward 14 years and here I am now!
SFBG: If someone else wanted to do what you do, what advice would you give them?
DS: Practice, practice, practice. With the advent of Serato Scratch Live and computer-based DJ setups, it has become very easy and cost-effective to become a DJ. I think people have sort of forgotten the whole "paying their dues" part of the craft. They just go out and buy a computer and a SSL setup and raid their friend's music library and think they can just start DJing for the public. Most of the people who I really respect in the DJ world spent many years practicing, carting crates of records around, and just putting time in before they could go rock a dancefloor and get paid for it. I am all for technology and the evolution of our craft -- in fact, I am one of the biggest proponents of technology that makes our job easier and more creative. But I really hope that people take the time to understand the history of the music and practice the techniques that make a good DJ sound the way they do....
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Inc Magazine - How to Kill a Great Idea...
1 Jun 2007 by Max Chafkin
Below is an excerpt from the above article which mentions Slide and DJ Solomon:
..."Slide is located in an expansive basement next to one of San Francisco's biggest nightclubs. The name refers to its entrance: a spiral playground slide that patrons ride down into the bar. It's late in the afternoon when I arrive. The empty space is dark and hazy. Abrams gets up from a meeting with his partners and walks me to the far corner. We sit down in one of the deep oversized booths, which give the place the feel of a 1920s speakeasy. A crew sets up the stage for the night's entertainment, a turntablist called DJ Solomon.
As he leans back, tucking his legs under his knees in a yogalike pose, Abrams cuts the figure of someone far younger than his 37 years. Face fashionably unshaven, he sports a Puma track jacket, a black T-shirt, designer jeans, and a slight paunch. A waitress outfitted in a flapper costume--an evanescent white skirt over black leggings--serves us designer water while bizarre jazz reworkings of pop standards like Michael Jackson's "Beat It" play through the sound system."
Ask Abrams what he's learned and you're confronted with a torrent of mea culpas, disclaimers, and recriminations from a man who is at once bitter and resigned. "I take responsibility," he says. "I was naive. I thought these big-shot guys were going to help Friendster." His biggest regret, he says, was turning the company over to Silicon Valley's best and brightest. As Friendster sputtered, Abrams says, he suppressed his entrepreneurial instincts, keeping quiet when he probably should have been lashing out.
With Socializr, Abrams is doing what he would have done at Friendster if he'd stayed in control. "Friendster was never finished--it was a prototype that I stopped having the ability to develop," he says. Like Evite, Socializr helps concert promoters, bars, and anyone else who likes to host gatherings invite people to their events. Abrams hopes that lay users who receive invitations through Socializr will create profile pages on the service as well, which could develop into a full-fledged social network.
When you sign up--a process that takes a minute or so--Socializr offers to troll the Internet for things like your MySpace profile, your Flickr photos, and your LiveJournal blog, and automatically builds a profile that aggregates all of this information. Because this content is stored on other people's websites, bandwidth, processing, and storage costs are relatively low. "Now that there are 100 people who have copied my ideas with Friendster, being the 101st social networking site is silly," he says. "I'm building a product that can integrate with those sites." The software remains in development but has already earned some good reviews. "This wasn't designed by people eager to get in on the game," wrote a blogger for Wired.com. "It was designed by a crew of people who have been playing the game since the beginning."...
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SF Weekley - Best Place to Get Your Mash On
21 May 2007 by SF Weekly
Best Place to Get Your Mash On
Slide
430 Mason (at Geary), 421-1916,
http://www.slidesf.com
Wednesday nights, musician Chris Clause and DJ Solomon create a musical mash-up that makes the scenesters groove. Evenings are started off active as clubgoers shoot down a giant slide right into the bar (unless you're wearing a dress or a skirt, then it's stairs for you!), and an array of DJs keeps the well-groomed crowd shaking it until the wee hours. Gents, here's a tip: There are more chicks here than dudes. Bottle service and an ample dance floor distinguish Slide from many of the other cramped dance venues in San Francisco, which makes it a great place to take friends from out of town if they are missing Los Angeles, or for locals who want something a little bit different. Cozy couches and lavish dcor in a "speakeasy" theme give the club a forbidden-feeling atmosphere, and if you don't like the scene, you can always go upstairs to Ruby Skye!
Click here for the original online article!
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Ovahere.com - Profile: The DJ for Golden State Warriors (DJ Solomon)
3 May 2007 by J. Shizz
Profile: The DJ for Golden State Warriors (DJ Solomon)
Article by J. Shizz
May 3, 2007 -
With Warriors magical run into the post season, many NBA observers have marveled at the intensity of the Bay Area fan base and, to a lesser extent, how the sound techs dont do too much to overshadow that intensity during the game. Unlike other stadiums where they blast misguided tunes at inappropriate times (i.e. overpowering the ambient crowd noise with some Fergie ditty does not keep the crowd up). In this vein, we decided to interview an unheralded key to the Warriors home court advantage, their sound maestro, DJ Solomon.
What do you listen to before a game?
These days I listen to a lot of talk radio in the car, I listen to so much music all the time, its nice to clear my head and listen to NPR or some sort of entertaining dialog on my way to the game...
How did you get the gig with the Warriors?
A man that goes by the name of DJ Add1 has been doing all the audio mixing there for the last 10 years; he brought me in 8 years ago to just play some background music for one of the games. They liked the idea so the following year we wrote up a proposal for their 10 biggest games, I was given a spot near the half court cameras, at the top of the lower bowl and my own Warriors Music Network banner. The year after that, AT&T sponsored our internet cafe and built a corresponding stage adjacent to the cafe. The idea was to create a performance center for an in house band and a DJ who would be showcased throughout game nights... I became that DJ.
Most interesting player youve met?
I went and introduced myself to Jason Richardson a few years back in the hallway, informing him I was open to any music they wanted to hear before or during the game... He came back at me asking if I wanted to give him a few DJ lessons, I of course was delighted at the idea but he never followed up. Every time I see him he is always so kind and humble, I really respect that in a superstar athlete.
Biggest a-hole player?
Everyone Ive met has always been very nice, cant say anything bad about anyone on the team.
Biggest perk of DJing NBA games?
Watching 35 plus home games a year... I was never much of a basketball fan previous to this job, but when you watch professional basketball live, you cant help but get interested and become some sort of fan. There is such showmanship in this game and all these guys are true masters of their craft.
How do you keep middle-aged white men jamming along to the newest tracks?
Fortunately for me Add1 provides the majority of the music you hear during the game, so he definitely keeps it real across the board with a little music for everyone. They have chosen to go with an Old School Funk and Soul theme for the live band so we actually fill the middle aged white man, musical niche mostly through the old cover songs the band plays.... Add1 and I are able to get away with some pretty contemporary stuff, it is Oakland after all, and Id say they have pretty decent taste in music...
Are you required to throw a little Start Me Up on the turntables when the Warriors start a rally? If not, what is the most inspirational track for the fan?
My favorite rally sequence of all time, although we havent done it for a few years was from the Rocky movie... but we wouldnt just play the theme. Any time we were down a few points toward the end of the game, they would start with the video of Adrian in the hospital and everyone gathered around her, Rocky leans over and he asks what do you want me to do... and she says I want you to WIN and all the sudden the music kicks and he starts training, running up and down stairs through the snow with the trumpets blaring, then as the mic man gets back on the mic to really hype up the crowd, and The Eye of the Tiger comes rocking through the system... and it was usually game over for the other team.
There has been mention by some prominent sportswriters (ESPNs The Sports Guy for one), that the Warriors fans can keep the energy high because theyre not being overpowered by music they can let the crowd noise be a factor and not a Fergie song. Nice work. Have you been getting some other props since the Ws have become a high profile team?
Well I havent heard about it yet... but I would have to point most of the credit in that department to Add1, he is really the house music selector and decides for the most part what gets played when. Credit is also due to our whole Game Operations Department. When the Warriors were terrible for so long, we focused on creating some really exciting entertainment for the fans to distract them from the game... now that we are winning, our top notch game production really shines through.
You DJ at some big name clubs in SF (Fluid, Slide), what about the East Bay ? Where do you hit up on an off-night?
I dont really DJ anywhere in the east bay right now... my off nights usually I usually kick it at home and watch a movie with my girlfriend... if we are feeling adventurous we might got out to a nice restaurant. She runs a lounge/restaurant so between the two of us, we spend so much time around drunk people and loud music , its nice to get a break from that on our days of... damn am I getting old or what?
Who gets more play The 20th biggest NBA player or the 5th biggest DJ?
See previous answer... Id definitely say the 20th biggest NBA player has me beat!
Whats next for DJ Solomon?
In the past year Ive been traveling a lot, playing less frequently in SF. This city is amazing for nightlife, but not the best city in the world to really make it as a DJ. I just started working with a new booking agent and we are focusing on placing me a lot of new markets while simultaneously working on branding myself as a DJ... Ive come to realize that if you really wanna make it to the top in the DJ world, youre marketing is far more important than your sound... fortunately for me, Ive been told the sound is there, now I just gotta get my brand up to the sound!
To listen to some of DJ Solomons tracks please visit: www.myspace.com/djsolomon
To learn more, or book him for your next event: www.djsolomon.net
PHOTOGRAPHY: (1) Solomon sitting at Oracle Arena courtesy of Duane Lucas-Harper, (2) Solomon headshot courtesy of Misha Vladmirsky
The original version of this article can be found here
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Remix Magazine - Safe and Sound
1 Apr 2007 by Ean Golden
As a kid, my ultimate fears used to be about giant, purple polka-dotted monsters under the bed or accidentally showing up to school without pants on. Now that I am a big kid with big, expensive toys, my slumbers are interrupted by an entirely different kind of recurring nightmare: somebody stealing my DJ laptop. It's safe to say the laptop has become like a baby; even with all the data safely backed up, you can't help but worry about where it is at all times. Laptops have made DJing on the road for extended periods of time more feasible and significantly more fun. The only problem is that all this expensive gear has brought with it a host of new worries when traveling. To help ease the mind, I asked a few top DJs who travel extensively with laptops for tips or tricks they have learned to keep laptops secure and make traveling with digital gear as smooth as possible.
WEIGHT WATCHERS
Yes, it's insane to complain about the weight of a computer bag when you compare it with the weight of 200 records, but there are lots of ways that you can slim down the size of your digital-DJ bag. Trucking through endless security checks and corridors can get old really fast, so do yourself a favor and cut as much fat as possible. Do you really need those giant Pioneer headphones? Check out some custom in-ear monitors: They sound great, reduce ambient noise and take up far less room. Etymotic Research (etymotic.com) makes several models, including the ER4s and ER6s, which are quite popular for long plane flights. M-Audio (m-audio.com) carries a few models as well. Besides headphones, are you still carrying around two Ortofon cases? Cut that in half, literally. Remove the trays from both cases and cut them so that two trays can fit into one case, side by side. It takes a little finesse but is a much more efficient use of space.
BACKUP RESCUE
The Boy Scout motto (and your new mantra) is, Be prepared. Backups are a crucial part of any DJ regimen, but if something happens to your laptop on the road, that Lacie drive at home won't save the gig. Playing the resident DJ's 128 Kbps MP3 files is not going to cut it either, so you had better come up with a contingency plan before traveling. DJ Warren Peace of the Inhumanz and HipHopSite.com has this excellent advice: Bring a backup computer. You are getting paid two to 10 times as much as a backup computer would cost you. So it doesn't really make any sense to lose the gig because your computer crashed. Not willing to shell out the cash or carry around a second laptop? You can also buy an 80 GB iPod or a travel drive and back up all of your crucial music and program installers. Then, in a pinch, a loaner laptop can fill in temporarily. Most experienced travelers never check any luggage; the same should always be true for your DJ gear. Never check anything required for your performance.
TWO FOR THE ROAD
DJ J-Boogie likes to keep it simple and always brings a few regular records along with these essential basics: Always bring a stand if you're tall, create a no-drinks barrier around your laptop, and don't forget the power supply! The no-drinks barrier is an unfortunate reality that must be kept in mind when using a laptop. Too many DJs have found out the hard way; laptops and Long Island iced teas are a match made in hell.
As for the laptop stand, there are loads of DJ-specific products cropping up on the market, but one of my favorites also doubles as a great road buddy. The Uberstand (litlab.us) is a solid metal laptop stand that is a bit higher than its competitors. Although a little too high for shorter DJs, I found it to be the perfect height for working on the floor while traveling.
DJ Solomon, resident DJ for the Golden State Warriors, recommends another must-have for your DJ travel bag: Caig Deoxit (caig.com). This little cleaning solution has saved me more times than I can count, he says. The Ortofon Digitrack needles are notorious for having contact issues, and this seems to always clear things up. I use the pen version because you can't travel with aerosol these days thanks to the TSA!
Solomon also reminded me of an essential tool for any DJ gig, especially on the road: The Kensington (kensington.com) gooseneck USB lamp. This might just be the most useful item in my bag, he says. DJ booths are always too dark.
PEACE OF MIND
Now comes the hard part: resting easy at night. Most travel guides out there recommend that you stay as low profile as possible. Carrying your investment in a traditional shoulder case may seem like the natural thing to do, but it makes you an instant target for thieves. Almost all of the record-bag companies are now making inconspicuous bags with laptop DJs in mind. Notable options include a cool line by Burton and the San Francisco bike-messenger favorite, Chrome bags (chromebags.com). Both are well made and offer loads of room for your gear.
A really inexpensive but commonly overlooked way to buy a little peace of mind is with a laptop lock. Almost every laptop out there is equipped with a universal port designed for a locking cable. Every time you leave the hotel room, or even the DJ booth, secure your investment to a fixed point and rest easy that a snatch and run is now rendered impossible. If a lock, backup hard drive and backup computer is still not enough for you, go the extra mile and buy Computrace LoJack (www.absolute.com). No, you don't even have to pay for the installation of a GPS tracking device: $49 buys you a program that will relay crucial location information upon connecting to the Internet after you have reported your laptop stolen. The Absolute Website advertises a 90 percent recovery rate for reported cases of theft. Now if that doesn't help you reduce some of the stress of traveling, you might want to stick to your roller-rink residency.
The Online Version of this Article can be found HERE
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Casino Travel News - Influence At Studio 54 Brings Down The House In March With Performances By Scooter And Lavelle, And DJ Solomon
21 Mar 2007 by Casino Travel News
Studio 54 at MGM Grand proudly presents "influence," an unforgettable mid-week rendezvous every Tuesday for the restaurant and nightclub industries. Known for its high-energy, influence at Studio 54 offers exclusive service to Las Vegas' most influential people. Guest DJs and celebrity hosts make influence the hottest place to be every Tuesday night.
The March influence line-up includes the unique duo, Scooter and LaVelle, who have perfected the art of spinning four records at once into a seamless sound uniquely their own; Mike Remedy will heat up the crowd before the award-winning DJs take the stage. In addition to local favorites, DJ Vegas Vibe and DJ Leo Teo spinning, DJ Solomon will cap off the month with his signature mashup style. DJ Solomon has recently performed with The Black Eyed Peas, Digital Underground, De La Soul, Ozomotli, Groove Collective, Jurassic 5, Lyrics Born, Patti Labelle, DJ AM and Dan the Automator to name a few.
March 6 DJ Vegas Vibe
March 13 Scooter and LaVelle with opening set by Mike Remedy
March 20 DJ Leo Teo
March 27 DJ Solomon
Located within MGM Grand, Studio 54 opens at 10 p.m. Tuesday through Saturday. Locals and ladies are complimentary; admission for men is $10 Tuesday through Thursday and $20 Friday and Saturday. Guests must be 21 years or
older. Dress code will be enforced. For information call (702) 891-7254.
Click here for original article
Web - Grand Opening of Tryst in the Wynn, Macau with dj solomon
9 Jan 2007 by Destination Macau Report
This is a video journal of the Grand Opening of the Tryst Nightclub in the Wynn in Macau China. Chris Clouse and I were the headlining entertainment for the evening. Check out the video.
Serato Scratch Live Website - Dj's using Scratch Live
22 Nov 2006 by SSL
Check out my featured dj page on Serato Scratch Live's website, HERE, along with a bunch of other djs i really respect.
Remix Magazine - Binary Scratch Article
1 Apr 2006 by Dj Solomon
The digital realm has slowly enveloped the DJ world in the past five years, and the digital DJ is here to stay. However, turntablists who rely heavily on specific techniques of vinyl manipulation such as scratching and beat juggling have been more hesitant to make the switch. They often argue that these new systems don't have the same vinyl feel or can't do the same tricks. Enter the Serato Scratch Live 1.5 software. It not only allows the most scrutinizing turntablist to easily manipulate the controller records in the same fashion as standard vinyl, but it also adds a new arsenal of features that take the art of turntablism to a new level. With the addition of the Rane TTM 57SL mixer (available this spring), Serato and Rane are blazing a trail into uncharted territory of DJ hardware and software integration.
The TTM 57SL is Rane's next-generation battle mixer. Based on the TTM 56 (which has eclipsed the Vestax PMC-07Pro as the turntablist mixer of choice), the 57SL provides an excellent pedigree to integrate a set of controller buttons and joysticks, bridging the gap between hardware and software. Possibly the biggest complaint from DJs about DJ software is that their focus has shifted from the mixer and turntables to the computer screen. DJs will spend a whole set staring at the screen rather than the turntables, mixer, records and crowd. One of the overall goals of the 57SL, as a computer control surface, is to bring the DJ's focus back to the mixer/turntable setup and allow DJs to access virtually all the necessary controls from the mixer.
MY THREE MODES
The features contained within Relative mode are the most impressive suite of features Scratch Live has to offer. There are three modes: Absolute, Relative and Internal. Absolute is the closest to record emulation: The digital track starts at the beginning of the record and is played in sync with the timecode on record. Internal mode plays regardless of the timecode and offers a set of controls to manipulate the song independent of record control, which is accessible directly from the mixer via programmable buttons. Finally, Relative mode allows the user to maintain forward and backward movement of the record but disregards needle position.
Contained within Relative mode are Scratch Live's "hot cues," which allow the user to jump to any point in the track on the fly at the push of a button. Each track can contain as many as five hot cues triggered by 10 numbered keys, but now they can also be triggered by the programmable keys on the TTM 57SL. Additionally, Scratch Live now allows the user to jump directly to the first hot cue when a song is loaded into the deck, allowing instantaneous cueing to any point in a song.
The 57SL's programmable controls allow the user to create, edit and control as many as nine lockable loops within the track directly from the mixer. The turntablist ramifications of that feature are almost unthinkable; to be able to maintain total vinyl control while looping any section of a track instantaneously using only one turntable was previously impossible. The act of looping the break of a song (going back and forth with doubles of a record) is the foundation on which turntablism was built. So for a DJ to actively loop any portion of a song at the push of a button right next to the fader almost seems like cheating. Every old funk record that has the perfect 8- or 16-bar break now becomes the ultimate transition record or remixable instrumental.
ROCKING DOUBLES
In the hip-hop/turntablist DJ world, the DJ has always bought two copies of every hot record they want creative control over. They may manipulate the song using an instrumental as an intro and outro into the vocal or repeating a phrase by juggling two of the same record back and forth. That's an expensive habit, unless you are working in the digital realm where you may copy a track and manipulate it in the same fashion as its vinyl counterpart. Scratch Live has made that possible with a feature called "instant doubles." When one track is playing, the DJ can mount the copy of the original song to the other deck by simply pushing one of the TTM 57SL controller buttons. That feature alone would suffice for the most scrutinizing of turntablists, but it gets better. When mapped, the new copy of the current song automatically plays at the exact location of the original track, making the doubles instantly.
Over time, cue burn (the wearing of vinyl records from repetitive back-and-forth motion) renders records unusable because the sonic quality diminishes to the point that the record is no longer audible. It's common for a pair of records to become so worn from continual back-and-forth wear that the sound turns into just a bunch of hiss. When rocking virtual doubles, the only accumulation of cue burn occurs on the controller records, which are easily replaceable for a nominal fee.
MORE FOR THE SKEPTICS
The biggest reason that a turntablist would hesitate to convert to a digital DJ system is that the feel is not the same or as accurate as analog vinyl. Turntablists are worried that they won't be able to emulate the repertoire of skills that they've developed on turntables using analog vinyl. While there are currently no computer-based digital DJ systems that offer zero-latency, Scratch Live has such low latency that it's nearly impossible to feel the difference between digital files and real records. Vinyl purists are shocked to experience Scratch Live's virtual accuracy.
The bottom line is that Scratch Live allows even the most scrutinizing turntablists to re-create all of their specialized scratches and juggles using their computer, controller records, soundcard and standard turntable setup. But more importantly, it cuts down on the time between tracks, which allows DJs to spend less time getting from one song to the next and more time taking their performance above and beyond any set previously played on standard vinyl records.
The entire body of this article can be viewed online here!
Jetset GingerAle Can - dj solomon gingerale can
14 Feb 2005 by Jetset Energy Drink
"JETSET WOULD LIKE SUPPORT AND CREATE AWARNESS OF TALENTED DJ'S. JETSET WOULD LIKE TO ACKNOWLEGE DJ SOLOMON OF SF"
-WWW.DJSOLOMON.NET
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7x7 Magazine - Boogie Nights
1 Feb 2005 by Photographed by Chris Mitchell and Morten Kettel
7x7 & Smirnoff Want to acknowledge these talented people for making our nights out great. From intimate club settings to the country's biggest and best dance parties, these people keep San Francisco going through the night.
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NBC 11 - Dj Solomon, resident dj at the Golden State Warriors
11 Dec 2004 by Scott Lawerence
This was a segment that aired on Sunday Sports, Tech Now and the nightly news, all on NBC 11 (local bay area NBC affiliate), that featured dj solomon and his 6 year residency with the Golden State Warriors NBA team.
Check out the video clip here!
San Francisco Examiner - Weekday Warriors
17 Jun 2003 by SF Examiner Cover
Check out the bottom left of the Examiner cover, this was an article about San Francisco Nightlife, I guess my pic made the cover.
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